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Tiki Mulvihill                                                         


SELECTED – RECENT EXHIBITIONS


March 2020

AXOLOTI, (sculpture), Artexpo, New York, US


Feb 2020

PINK MEERKAT, (sculpture), Coca, Seattle, US


Aug 2019

RECENT ARTWORK, (sculptures), Port Moody Art Centre, BC


May 2019

SPiRITED SHIFT, (sculptures), Palermo, Leonardo Da Vinci,  Giotto, Michelangelo, Mantova, Italy


Feb 2019

FLOTSAM FIXATION, (sculptures), Art Productions, New York, US


Aug 2018

LANDLOCKED? (installation), and FLOTSAM FIXATION, (sculptures), Amelia Douglas Gallery, New Westminster, BC


July 2018

ANCESTRAL DRIFT, (installation), Station House Gallery, Williams Lake, BC


April 2018

ROSEATE PEEP, (sculpture), Musa International, Madrid, Spain


Feb 2018

TALL WALL DRIFT, (sculptures), Parallax Art Fair, London England


Feb 2018

July 2018

DRIFTWOOD EMBEDMENT, (sculptures), Amsterdam Whitney, New York USA


July 2017

LANDLOCKED? (installation), Grand Forks Art Gallery, Grand Forks, BC


July 2017

ANCESTRAL DRIFT in BRANCH REFINEMENT (installation), Cityscape Community, Art Space North Vancouver, BC


April 2017

WALL DRIFTS, (sculptures), World Wide Art-Artavita,  New York


March 2017

VIBRANT DRIFT (sculptures),  Biennale D’Arte, Peschiera Del Garda, Italy


March 2017


TAPER TOUCH, GRISWOLD, FLY!, VESTIGE VIGOR, ADRIFT (sculptures), Metropolitan Gallery and art Museum, Las Vegas


October 2016

SANDGREN, THE SPACE BETWEEN, site-specific installation, ARNA, Harlosa, Sweden


July, 2016

DRIFT, (sculptures) international art fair, Parallax Art Fair (international), London UK


March, 2016

LANDLOCKED? 35 Live Digital Exhibition, CoCA, Seattle, WA


Dec, 2015

LANDLOCKED? (digital)  SeeMe Exhibition, SCOPE Art, Miami, FL


November 2014 - May 2015

CONCERT, (Art is Land Network), community-based installation/performance (collaboration with Fae Logie and Shirley Wiebe). Sun-Yat-Sen Garden, Vancouver, BC


July 2014

3 POINTS OF PERSPECTIVE, Community-based Installation (collaboration with Fae Logie) at Midsummer Fete. Colony Farm, Port Coquitlam, BC


May 2014

MEGA-STETH, Site-specific Installation/performance. SSW. Lumsden, Scotland, UK.


February 2014

ENGAGEMEANT,  Arts is Land Network Collaborations, Capilano University Gallery, N. Vancouver, BC


July 2013

THE STORY OF THE CREATIVE, International Exhibition, Angel Orensanz Foundation, New York, NY


Feb-April 2013

SS AIMLESS, Ocean floating, site-specific collaborative installation with Fae Logie. Debridement. Vancouver Maritime Museum wharf.


June-Nov 2012

FRUITLESS GRAFTING, Site-specific installation. Rootbound Heaven & Earth 4, COCA. Carkeek Park, Seattle WA


June 2012

FIRE SUCCESSIONAL, Campbell River Art Gallery, Installation


Sept 2011

FIRE SUCCESSIONAL, Harcourt House Edmonton. Installation


Sept 2011

DETRITUS, and CIRCUMNAVIGATOR,  Art is Land Exhibition, Granville Island, Vancouver, 2 installations (one collaboration with Fae Logie)

February 2011

EXCHANGE WITH SOL LEWITT, Cabinet, New York, sculpture


June 2010

EPICENTRE, Banff Centre.  Audio Installation, Banff Alberta


May 2010

DOCUMENTA: Global and Local, Kings Lynn, UK. Video:  Flotsam and Jetsam, Collaboration with Fae Logie


November 2009

FIRE SUCCESSIONAL, Installation


October 2009

FAEBLE, InstallationCollaboration with Fae Logie, Merrell Gerber and Sharon Kallis, Capilano University Gallery


August 2009

FLOTSAM AND JETSAM, Performance, Collaborative performance with Fae Logie, 2nd Narrows Bridge, North Vancouver


November 2008

SIDETRACK, installation, Capilano University, Studio Art Gallery


October 2008

CAMP,  performance collaboration  with Kay Burns: Truck Artist Run Centre, Calgary, Alberta (A TRUCK CAMPER/atch project)


June 2007

MINIATURE, group exhibition, Other Gallery,  The Banff Centre, Alberta


June 2007

SOJOURNE, installation of work in progress, Other Gallery, Banff, AB

February 2006

RATHBONE’S CHAIN, installation in group exhibition, Wollongong University Gallery, Wollongong, NSW, Australia


January 2006

ONE-PT PERSPECTIVE, installation from WITNESS CORNER, group exhibition, Capilano College Gallery, North Vancouver


Summer 2005

TRACK, site specific collaborative installation with WAYWARD GIRLS COLLECTIVE, Vancouver, BC


April 2005

BETWEEN MOUNTAINS AND MOLEHILLS, exhibition of sculpture, Burnaby Art Gallery, Ceperley House


March 2005

HATQUI ISLAND, installation/performance, SAGA Gallery, Salmon Arm



SELECTED EARLY EXHIBITIONS


Summer 2004

HATQUI ISLAND, Installation/performance, Nanaimo Art Gallery


Spring 2002

THE TRAVELER, Installation/performance, Two Rivers Gallery, Prairie Gallery, Latitude 53, Alberta College of Art and Design, Grand Forks Gallery


Spring 2001

THE TRAVELER,  Installation/Performance, Vancouver, Squamish


May 2000

THE RED SCHOOL, small installation, Prairie Art Gallery, G P, Alta



EDUCATION 


1993-95

UNIVERSITY OF CALGARY, MFA

Studio work: three-Dimensional multi-media constructions and installations.


1984-85

UNIVERSITY OF IDAHO. MA (Fine Arts)

Emphasis on painting, drawing, three-dimensional constructions and collage in

Studio.  Thesis topic – “The Validity of Performance Art in the Eighties.”


1982-84

UNIVERSITY OF IDAHO. BFA

Graduated cum laude from a program emphasizing gallery management, history,

graphic arts, performance art, with a focus on painting.  Secondarily involved in Dance program focusing on dance composition, modern, jazz, and ballet technique

classes.  Three-year affiliation with performing dance group.


1980-82

DAVID THOMPSON UNIVERSITY CENTRE

A general University education narrowing into a fine arts specialization

SELECTED – AWARDS/RESIDENCIES


ARNA, THE SPACES BETWEEN - art residency, Sweden

SCOTTISH SCULPTURE WORKSHOP - art residency

THE BANFF CENTRE ‘ALMOST PERFECT’– BNMI residency

THE BANFF CENTRE ‘IMAGINARY PLACES’ –thematic  residency

CANADA COUNCIL EXPLORATIONS PROGRAM -- Grant

VISUAL ARTS BRANCH, ALBERTA CULTURE -- Grant

PHI KAPPA PHI HONOUR SOCIETY -- scholastic achievement

MARY KIRKWOOD SCHOLARSHIP -- Artistic achievement

JURIES CHOICE AWARD -- 1984 Undergraduate Exhibition

HELEN PITT AWARD -- Artistic Achievement


PUBLIC COLLECTIONSCity of St. Albert Collection, Prairie Art Gallery Collection, Alberta

Foundation Collection, University of Calgary Faculty Business Collection, Burnaby Art Gallery Collection.


BIBLIOGRAPHY


Laffan, Andy, ed, 'The State of Art: Installation and Site Specific #2'.  Barehill Publishing,  Worcestershire, UK, 2015.


Laffan, Andy, ed, 'The State of Art: Installation and Site Specific #1'.  Barehill Publishing,  Worcestershire, UK, 2014.


Fremann III, Ray C. and David Francis, Rootbound: Heaven and Earth IV Catalogue. CoCA: Center on Contemporary Arts. August 2012


Seattle Arts Picks, “Rootbound:  Heaven and Earth IV (COCA at Carkeek Park, The Stranger.com. June 24, 2012. Volume 21, No.42. Web


Graves, Jen, “Art Eating Park:  Dream Catchers Are not Going to Cut it.”  Visual Art.The Stranger.com July 10, 2012. Volume 21, No. 44. Web.


Jervis, Carolyn, “Apocalypse Now:  Harcourt House’s exhibitions explore destruction and change.”  Vue Weekly.com. Sep 28, 2011 Issue #832 Web.


Basha, Regine, An Exchange with Sol Lewitt. Cabinet Books and Mass MoCA, New York. 2011.


Curious, “ Curious in the Eastern Region:  Documenta, Kings Lynn, UK. 28-30 June.”  Curious @ Placelessness.com. June 2010. Web


Bouchard, Gilbert, “A Quirky Look at Urban Spaces.”

The Globe and Mail, 27 May.2002: R3.


Carson, Chris, Tiki Mulvihill:  Stories, Lies and Other Tall Tales. Prairie Gallery, 1990.




Biography:  Tiki Mulvihill


Since initial graduation (BFA, MA University of Idaho) the ‘reluctant nomad’, Tiki Mulvihill, continually alternated between rural and urban communities throughout British Columbia and Alberta. Constant transience activated her art-making strategies requiring commitment, ingenuity and a strong dose of self-motivation towards site-spawned installations, which generated ongoing discourse regarding the supposed truths we humans construct in our conflicted relationships with place. Over the years, regional activities also extended her role as an artist. Diverse employment as an instructor of art and dance; curating; along with coordination of educational art programs and art collections provided impetus for experimentation in multi-disciplinary, collaborative and community work. Her completion of MFA (University of Calgary) furthered her goal of varied connections through art.  Currently working out of a studio in North Vancouver, Mulvihill creates larger multi-media installations and sculptures while engaging in a number of collaborative and community-based activities